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#Literature #TSEliot
"Dissociation of sensibility" is a term coined by literary critic T.S. Eliot in his essay "The Metaphysical Poets," published in 1921. Eliot used this term to describe what he perceived as a significant shift in English poetry that occurred in the 17th century.
In Eliot's view, prior to the 17th century, there was a unity or integration of thought and feeling in poetry. Poets were able to express both intellectual ideas and emotional experiences in a single work, and there was a harmonious balance between #reason and emotion.
However, Eliot argued that with the advent of the 17th century, particularly with the rise of metaphysical poetry, there was a "dissociation" or separation of these two elements. He observed that poets began to focus more on intellectual complexity, wit, and elaborate conceits, while emotion and feeling became relegated to the background.
According to Eliot, this dissociation of sensibility led to a fragmentation of poetic expression, where intellect and emotion were no longer seamlessly integrated. He believed that this shift resulted in a loss of vitality and intensity in poetry, as poets became more concerned with clever wordplay and intellectual puzzles than with genuine emotional depth and sincerity.
Eliot's concept of dissociation of sensibility has been influential in literary criticism, prompting discussions about the nature of poetry and the relationship between intellect and emotion in artistic expression. Critics continue to debate the extent to which this phenomenon accurately describes the evolution of poetry in the 17th century and its impact on subsequent literary movements.
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