https://youtu.be/RapgSHdpmWc
эта ночь отмечена красотой. Пьяццолла - Кремер - Десятников

люда всегда права

https://vimeo.com/841239908

so we made a new thing
but really an old thing
from over a decade ago
and so there was this impulse that we had to
somehow make the new thing actually new
with a fancy new application or something
but i guess we decided not to do that
this light pattern is an experiment we made a few months ago
with a demoscene-era plasma technique
the important stuff all happens in one line of code
which we wanted to mention simply to spread the concept of
permacomputing and also
despite the grid fundamentally being interactive
sometimes a visual or sound can powerfully stand on its own
like when nine inch nails had this same new thing on stage
just visualizing and hell they are still cooler than us
but really the point is
the grid hasn't meaningfully changed for two decades
still doing nothing yet
containing endless horizons to explore new instrument design
a vehicle for new skills and
perhaps making new friends
but we guess everyone knows that by now
so it's new and it's the same
and that's mostly why there's not really a new killer app
lesser reasons include
us opening an art store and
still tending a farm and finding time to make music
such as this forthcoming softbits you're hearing now
but we are glad to be building these again
and look forward to seeing what comes next

http://www.radiodiffusion.net/audio3/524Kyenkyema.mp3

The Big Beats were from Ghana. The band was led by Linden Lee. According to Discogs, Andrew “Mad Man Jaga” Daboh was also in the band. From the liner notes of Soundway Records’ Ghana Special: Modern Highlife, Afro-Sounds & Ghanaian Blues 1968-81 compilation:

The Big Beats were a band formed mostly from the popular soul band El Pollos’ second band, The Triffids. They played for some time in Lagos where they perfected their afro-beat style, returning to Ghana and recording two 45s for the Polydor label: “Mi Nsumõõ Bo Dõnn” (“I Don’t Love You Anymore”) was the B side to the hit single “Kyenkyema” which became a by-word in 70’s Ghana for anything old, outdated or decrepit. Their other release, “Afro-Pride” / “Kwemo Nahi”, was released simultaneously but didn’t sell anything like as well.

The A side of their second single – “Kwemõ Na Ahi” – is on the Vis-A-Vis DJs – AfroFunk Showcase Vol.2 compilation that was put out by the apparently now defunct Overtone Records. The B side of that single was on Superfly Records’ The Afrofunk Expressway Vol. 2 – which the existence of has been all but scrubbed from the internet with the exception of the track list.

Catalog number 2080103 only Polydor of Ghana, released 1972.

https://youtu.be/-8B2L2f9mmA
эта кнопка с камертоном просто уан лав

https://cdm.link/2023/08/bandcamp-unveils-interactive-listening-parties/
год тестирования примерно. когда вас покупают и не пинают эпики

https://www.youtube.com/watch?v=3v4-zYghodc
тупо убийца : - )

https://youtu.be/wYj5o4kQsXs
правильная реклама

https://youtu.be/6LfxEkhI570
уфф, даже трубачу соло разрешили. святые люди

http://www.radiodiffusion.net/audio3/530TundaLangu.mp3

Muta Musical Club – listed here as Muta Musicol Club – were from Kenya. They were a Taraab group, which is more common in neighboring Tanzania. They released four singles on the Pwani label of Mombasa between 1973 and 1975 – this one being their last.

https://thenextweb.com/news/criminal-networks-sweden-spotify-money-laundering
умные люди в ютьюбах говорили об этом еще год назад