Сорока-барокко

Сорока-барокко

Очень симпатичная обложка вышедшего позавчера спецномеру Style&Design New Yorker.

80 минут длится аудиоверсия профайла Ло Роуча в New Yorker. Пока стоял в очереди на паспортном успел ее как раз прослушать от начала до конца.

Про его подход к стайлингу:
Roach’s signature technique is what the Vogue writer André Wheeler has termed “method dressing,” a form of styling that plays with themes and motifs drawn from a performer’s role. His process can rival some movies’ production schedules in length. He spent two years developing the gown that Zendaya wore to the Venice world première of the first “Dune” movie…

О том как Тимати Шаломе отреагировал на костюм робота Mugler
Timothée Chalamet “was, like, ‘What the fuck?,’ ” Roach said of Zendaya’s Mugler robot suit at the London première of “Dune: Part Two.”

О том кто отказывал Зендае и на сколько злопамятный Ло:
In the early years of her career, Zendaya was best known for playing a high-school sleuth on “K.C. Undercover,” and luxury brands did not believe that she could carry their fashions to market. Roach revealed on the podcast “The Cutting Room Floor” that Chanel, Saint Laurent, Dior, Gucci, and Valentino had all turned down the opportunity to dress her. “If it’s a no now, it’s a no forever,” he warned them.

О том как писался этот профайл:
After breakfast, Roach and I made our way down to SoHo to go vintage shopping. He wanted to watch me try out an exercise in his book that he called Reviewing the Archives.

О том как важно правильно ходить на каблуках:
Training clients to walk in heels is a key element of red-carpet styling. Navigating the sand carpet at the “Dune: Part Two” world première was so challenging that Roach had to work with Warner Bros. to choreograph every step Zendaya took at the event. “Everything had to be timed out to the minute,” he told me. “We had diagrams. It was incredibly mapped out.”

О том самом посте, в котором Ло объявил об уходе из профессии.
I become, I’m still on the phone defending myself and basically fighting with these people.” The morning after the Oscars, Roach posted his statement. “I was in an S.U.V. when I sent it,” he told me. “I was with my publicist. We were in Miami for the Hugo Boss show. I was in tears, saying, ‘I don’t want to do this anymore.’ ”

The New Yorker

The Architect of Zendaya’s Red-Carpet Style

How Law Roach turns his clients into fashion icons.

www.tgoop.com/SorokaBarokko/9823

3.4K viewsedited  Sep 27 at 07:35

80 минут длится аудиоверсия профайла Ло Роуча в New Yorker. Пока стоял в очереди на паспортном успел ее как раз прослушать от начала до конца.

Про его подход к стайлингу:
Roach’s signature technique is what the Vogue writer André Wheeler has termed “method dressing,” a form of styling that plays with themes and motifs drawn from a performer’s role. His process can rival some movies’ production schedules in length. He spent two years developing the gown that Zendaya wore to the Venice world première of the first “Dune” movie…

О том как Тимати Шаломе отреагировал на костюм робота Mugler
Timothée Chalamet “was, like, ‘What the fuck?,’ ” Roach said of Zendaya’s Mugler robot suit at the London première of “Dune: Part Two.”

О том кто отказывал Зендае и на сколько злопамятный Ло:
In the early years of her career, Zendaya was best known for playing a high-school sleuth on “K.C. Undercover,” and luxury brands did not believe that she could carry their fashions to market. Roach revealed on the podcast “The Cutting Room Floor” that Chanel, Saint Laurent, Dior, Gucci, and Valentino had all turned down the opportunity to dress her. “If it’s a no now, it’s a no forever,” he warned them.

О том как писался этот профайл:
After breakfast, Roach and I made our way down to SoHo to go vintage shopping. He wanted to watch me try out an exercise in his book that he called Reviewing the Archives.

О том как важно правильно ходить на каблуках:
Training clients to walk in heels is a key element of red-carpet styling. Navigating the sand carpet at the “Dune: Part Two” world première was so challenging that Roach had to work with Warner Bros. to choreograph every step Zendaya took at the event. “Everything had to be timed out to the minute,” he told me. “We had diagrams. It was incredibly mapped out.”

О том самом посте, в котором Ло объявил об уходе из профессии.
I become, I’m still on the phone defending myself and basically fighting with these people.” The morning after the Oscars, Roach posted his statement. “I was in an S.U.V. when I sent it,” he told me. “I was with my publicist. We were in Miami for the Hugo Boss show. I was in tears, saying, ‘I don’t want to do this anymore.’ ”

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