VESTNIK_KINOVEDA Telegram 188
ещё книжки за 2024: Кошта, Любич, Протазанов, Мамулян, фр. вестерны, квебекцы, зрение машин etc.

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1. Cinema and Machine Vision: Artificial Intelligence, Aesthetics and Spectatorship — Daniel Chávez Heras

2. The Archival Afterlives of Philippine Cinema — Bliss Cua Lim

3. Defining Cinema: Rouben Mamoulian and Hollywood Film Style, 1929-1957 — Michael Slowik

4. Film Figures: An Organological Approach — Warwick Mules

5. French Westerns: On the Frontier of Film Genre and French Cinema — Timothy Scheie

6. Interactive Cinema: The Ambiguous Ethics of Media Participation — Marina Hassapopoulou

7. New Approaches to Ernst Lubitsch: A Light Touch — Brigitte Peucker, Ido Lewit

8. Playful Frames: Styles of Widescreen Cinema — Steven Rybin

9. Quebec Cinema in the 21st Century — Michael Gott, Thibaut Schilt

10. The Cinema of Yakov Protazanov — F. Booth Wilson

11. The Political Gesture in Pedro Costa’s Films — Patrícia Sequeira Brás

12. The Traces of Jacques Derrida's Cinema — Timothy Holland



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ещё книжки за 2024: Кошта, Любич, Протазанов, Мамулян, фр. вестерны, квебекцы, зрение машин etc.

папка с pdf

1. Cinema and Machine Vision: Artificial Intelligence, Aesthetics and Spectatorship — Daniel Chávez Heras

2. The Archival Afterlives of Philippine Cinema — Bliss Cua Lim

3. Defining Cinema: Rouben Mamoulian and Hollywood Film Style, 1929-1957 — Michael Slowik

4. Film Figures: An Organological Approach — Warwick Mules

5. French Westerns: On the Frontier of Film Genre and French Cinema — Timothy Scheie

6. Interactive Cinema: The Ambiguous Ethics of Media Participation — Marina Hassapopoulou

7. New Approaches to Ernst Lubitsch: A Light Touch — Brigitte Peucker, Ido Lewit

8. Playful Frames: Styles of Widescreen Cinema — Steven Rybin

9. Quebec Cinema in the 21st Century — Michael Gott, Thibaut Schilt

10. The Cinema of Yakov Protazanov — F. Booth Wilson

11. The Political Gesture in Pedro Costa’s Films — Patrícia Sequeira Brás

12. The Traces of Jacques Derrida's Cinema — Timothy Holland

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